A Brian Kaplan Concept • Confidential
Nashville’s First Immersive Outlaw Country Experience
Printer’s Alley • Nashville, Tennessee
$4.5M Total Raise • $2.5M Preferred Equity Round
“Every building on this block has a story.
This one… has a deal.”
— CORA, BARTENDER, LOST HIGHWAY OUTLAW BAR
An outlaw country bar where the ghosts are real,
the whiskey is old, and the music never stopped playing.
The Gap
16.9 million people visited Nashville in 2024. They spent $11.2 billion — both all-time records, up 42% since the pandemic. That works out to $30.7 million a day pouring into this city. Not a single dollar of it goes to immersive entertainment. There isn’t any.
The #1 bachelorette destination. The #1 country music city. The fastest-growing tourism market in America. And zero immersive theater.
The Market
Property taxes up 300%+. Locals don’t go anymore. Every bar sounds the same — cover bands playing the same 40 songs on repeat. Broadway makes money on volume, not value. Nobody remembers which bar they were in.
The Bachelorette Industrial Complex: Nashville is the #1 bachelorette destination in America. 13,000+ trips a year. 30% of weekend tourists. They spend $450–$850 per person. And every single one of them is tired of pedal taverns.
GLOBAL IMMERSIVE MARKET: $144B AND ACCELERATING
The White Space
Sleep No More shut down in January 2025 after 14 years and 2 million tickets sold. The king is dead. Nashville has no Meow Wolf. No immersive theater. No premium hidden venue of any kind. This isn’t a gap in the market — it’s a canyon.
| Venue | City | Status | Attendees | Revenue |
|---|---|---|---|---|
| Sleep No More | NYC | CLOSED Jan 2025 | 2M+ (14 yrs) | $36M/yr peak |
| Sleep No More | Shanghai | Active | 500K+ | $86M cumulative |
| Meow Wolf | Santa Fe / Denver / Houston / LV | Active | 5M+ total | $28M/yr per location |
| Then She Fell | NYC | Closed 2023 | 15 guests/night | Boutique |
| The Last Ballad | Nashville | 2027 Launch | 30K+/yr capacity | $7.4M Year 2 |
Nashville is not on the expansion list. The market is wide open for immersive entertainment.
Not a single narrative-driven immersive experience in the entire Nashville metro area.
No speakeasy-quality premium discovery experience anywhere in Nashville.
The Location
Not another bar on Broadway. The original speakeasy district.
Printer’s Alley is where Nashville’s real history lives. During Prohibition, this was the city’s speakeasy row. In the 1950s and ’60s, the Rainbow Room hosted everyone from Waylon Jennings to Jimi Hendrix. The buildings here have real ghost stories — documented sightings, unexplained sounds, cold spots that the staff talk about in whispers.
One block from Broadway but a different world. Walkable. Discoverable. Hidden in plain sight. Lease with option to buy — capturing long-term real estate upside in Nashville’s fastest-appreciating corridor.
| Distance from Broadway | 1 Block |
| Historic District Status | Yes — 20% Federal Tax Credits |
| Documented Hauntings | 3+ Buildings |
| Waylon Jennings Played | Confirmed |
| Speakeasy Heritage | Prohibition Era |
| Daily Foot Traffic | High — Tourist Corridor |
| Rent vs. Broadway | 40–60% Lower |
| Venue Size | ~7,000 SF • $80/SF |
| Lease Structure | Lease with Option to Buy |
The Concept
Two brands. One roof. Lost Highway is the bar — Nashville’s only outlaw country bar, open 7 days a week. The Last Ballad is the show — a 2.5-hour immersive ghost story that runs Thursday through Sunday nights. The bar keeps the lights on while the show fills seats. They feed each other.
Lost Highway — Every Day
Nashville’s only bar dedicated exclusively to the outlaws: Waylon, Willie, Merle, Hank, Cash, Kristofferson. No pop country. No bro-country. No “Wagon Wheel.” Tennessee whiskey wall. Outlaw-curated vinyl. Live music 7 nights a week.
F&B + COVER + TIPS • $6K/DAY AVG
The Last Ballad — Thu–Sun
The first immersive production that plays in and around the bar. 2.5 hours. 40 guests per wave, 2 waves per night. Yondr pouches. Poker chips. 4 rooms. 7 characters. 2 endings. Holographic ghosts that materialize.
TICKETS + VIP + F&B + MERCH
Extended Revenue
Family matinees. Bachelorette packages. Corporate buyouts. Late-night bar. 52 vinyl releases/year. Whiskey club membership. Seasonal overlays. Photography packages. Tourism partnerships.
$7.4M YEAR 2 REVENUE
The Story
January 1, 1953. Hank Williams dies in the back seat of a powder-blue Cadillac somewhere on a dark highway between Knoxville and Oak Hill. His driver, Charles Carr, drove for hours with a dead man behind him. The car kept moving. The song Hank was writing never got finished.
Years later, Waylon Jennings almost took that same ride. He gave up his seat on the plane that killed Buddy Holly. He carried that guilt like a stone. And somewhere in a building on Printer’s Alley, Waylon made a different deal — not with the devil, but with the Music itself. The building gave him his legend. And the building never let go.
This is a ghost story. But the ghost isn’t a person. The ghost is an unfinished song. And the building keeps pulling artists in, trying to finish it.
| Cora | The Bartender. Keeper of the building. She knows everything. |
| Jesse | The Mystery Singer. Beautiful voice. A secret she’ll only tell one guest. |
| The Driver | Charles Carr. Soaking wet. Still looking for his passenger. |
| Audrey | The Woman in Black. Hank’s first wife. Fury and grief made visible. |
| Midnight Mike | The DJ. Broadcasts from 1953. The signal never stopped. |
| Waylon’s Shadow | Not Waylon himself — the part of him the building kept. |
| Hank’s Ghost | The Regular. Sits at the same seat. Orders the same drink. Never speaks. |
2 POSSIBLE ENDINGS • 3-LAYER MYSTERY • BUILT FOR REPEAT VISITS
The Experience
Act II — The Rooms
600 SF — Backstage Dressing Room
Frozen in time. A record player spins on its own. Audrey — the Woman in Black — appears in a LG Transparent OLED smart mirror. She’s in the reflection, but not in the room. She has a message for one guest only.
“He wrote that song for me. And then he wrote me out of the story.”
700 SF — 1953 Radio Station
Midnight Mike is still broadcasting. Holosonics directional audio whispers your name — only you can hear it. The rotary phone rings. It’s for you. The voice on the other end is someone who died 70 years ago.
“You’re listening to WGST, the Ghost Signal. And tonight’s dedication goes out to… you.”
800 SF — Rain System + Real 1952 Cadillac
HYDRA-TECH digital rain falls in a room that shouldn’t have weather. Cryo CO2 jets drop the temperature 15°F. A powder-blue Cadillac idles under a flickering holographic neon sign. The Driver opens the back door.
“I drove all night with a dead man in my backseat. And I swear… he was humming.”
500 SF — Tour Bus with Haptic Seats
The interior of Waylon’s tour bus. D-BOX seats vibrate with engine rumble. Floor transducers make you feel footsteps. A Yamaha Disklavier guitar plays a song that was never released. ScentAir shifts from diesel to rain.
“The road doesn’t take you somewhere. The road takes something from you.”
The Technology
Sleep No More used masks and dim lighting. We use holograms that appear out of thin air, audio that whispers only to you, floors that vibrate when something walks past, and temperature drops that hit you like a door opening in winter. The $1.2M tech package uses the same systems Disney Imagineering selected.
| Technology Layer | Sleep No More (2011) | The Last Ballad (2027) |
|---|---|---|
| Visual FX | Masked actors, tungsten lights, choreography | Pepper’s Ghost (Musion Eyeliner), Proto Hologram Luma ($30K), HYPERVSN Holographic Human ($27–30K) |
| Volumetric Display | None | Looking Glass Factory + LIMINAL Space Spirit Tile (same tech Disney Imagineering selected) |
| Audio | Ambient speakers, live orchestra | Holosonics Audio Spotlight — directional whispers only one person hears |
| Haptic/Physical | Dance floor vibration (incidental) | D-BOX motion seats + floor transducers — you FEEL the ghost walk by |
| Scent | Fixed fog machines | ScentAir programmable — bourbon shifts to gunpowder, rain, perfume per scene |
| Temperature | Ambient building temp | Cryo CO2 jets — temperature drops 15–20°F instantly when ghosts appear. Real cold spots. |
| Self-Playing Instruments | None | Yamaha Disklavier piano ($40–70K) — the piano plays itself. No wires. No explanation. |
| Smart Mirrors | Standard mirrors | LG Transparent OLED ($60K) — ghost appears in your reflection |
| Weather | None | HYDRA-TECH digital rain curtain + waterproofing — indoor rain |
| Show Control | Manual stage management | Medialon / 7thSense — everything orchestrated automatically, triggered by guest position |
Full immersive tech stack installed
Integrated by Medialon show control
LIMINAL Space volumetric display
The World
None of this looks new. None of it looks built. It looks like it’s been here for 70 years and someone just turned the lights on.
Viral Design
We don’t buy ads. We build the kind of moments that make people grab their phone the second they walk out.
A door behind the jukebox. The discovery IS the TikTok. “You won’t believe what’s behind this bar.”
Phones locked away. Post-show unlock. The first thing you do is post. 80 people posting simultaneously.
Every guest gets at least one private moment with a character. The stories people tell for YEARS.
“Your chip determines your fate.” Instant content. Instant debate. “I got the red chip — what did you see?”
A ring. A guitar pick. A lyric fragment. Objects people will photograph, post, and keep forever.
First visit: the surface story. Second: the hidden clues. Third: the truth. Built for repeat visits and Reddit threads.
“The music came here for you.” The line everyone quotes. The moment the bar stops being a bar.
One new limited pressing per week. Collect them all. Online trading communities. Scarcity engine that drives repeat visits.
Ghost silhouettes in neon. A rain-soaked Cadillac. A piano playing itself. A face in the mirror that isn’t yours. Every frame is a photo. And the “I-can’t-tell-you-what-happened” factor does the rest.
The Bar Program
60–80 bottles of Tennessee and Kentucky whiskey. Curated flights. Rare pours. A whiskey shrine wall with rotating selections from micro-distilleries. The wall itself becomes a destination.
200 members at $59/month. Exclusive pours, priority show tickets, members-only events, engraved glass, monthly allocation. $142K annual recurring revenue.
DAILY BAR F&B: $6,000/DAY AVG • $2.19M/YEAR
Seasonality
Nashville tourism has peaks and dead zones. We built programming for every one of them.
| Month | Mod | Programming |
|---|---|---|
| Jan | 0.85x | “The Lost Sessions” — intimate acoustic shows |
| Feb | 0.95x | “Haunted Love Letter” couples experience |
| Mar | 1.00x | Spring break tourism ramp |
| Apr | 1.15x | NFL Draft (if Nashville), wedding season |
| May | 1.20x | Bachelorette season peak begins |
| Jun | 1.50x | CMA Fest — premium pricing, special edition |
| Jul | 1.20x | Summer tourism, 4th of July outlaw celebration |
| Aug | 1.05x | Shoulder season, Bonnaroo spillover |
| Sep | 1.15x | “Dark September” — Halloween season begins early |
| Oct | 1.45x | “Haunted Highway” 6-week Halloween overlay |
| Nov | 1.15x | Thanksgiving tourism, holiday kickoff |
| Dec | 1.55x | Holiday show + NYE ($75K–$150K single night) |
PEAK MONTHS (JUN + OCT + DEC) GENERATE 37% OF ANNUAL REVENUE • NO MONTH BELOW $400K
Who Comes
The Revenue Engine
The bar pays the rent. The show sells the tickets. The bachelorettes do the marketing for free. No single stream is more than 30% of total revenue.
| Daily Bar F&B (7 days/week) | $2,190,000 |
| Immersive Show Tickets (160 shows) | $1,664,000 |
| Show Night F&B Uplift | $576,000 |
| Vinyl Record Program (52/yr) | $445,000 |
| Merchandise (on-site + online) | $380,000 |
| Seasonal Premium Events | $350,000 |
| Corporate Buyouts (40/yr) | $340,000 |
| Bachelorette Packages | $315,000 |
| Late Night Bar (Fri-Sat) | $260,000 |
| Live Music Cover & Tips | $220,000 |
| Private Events | $200,000 |
| Family Matinees (100 shows) | $180,000 |
| Whiskey Club (200 members) | $142,000 |
| Photography/Content Packages | $85,000 |
| Tourism Partnership Commissions | $75,000 |
| Total Revenue | $7,422,000 |
F&B ALONE COVERS
Bar F&B + show night uplift covers all fixed costs
REVENUE STREAMS
No single stream exceeds 30% of total
SHOW NIGHT MULTIPLIER
Show nights generate 2.8x regular bar nights
Ticket Economics
| GA Tickets (50 × $85) | $4,250 |
| VIP Tickets (20 × $150) | $3,000 |
| Inner Circle (10 × $250) | $2,500 |
| Show Night F&B Uplift | $3,600 |
| Merch & Add-ons | $1,800 |
| Revenue Per Show Night | $15,150 |
160 shows/year × avg 80 guests × avg $130 ticket = $1.664M in ticket revenue alone. F&B uplift and merch add another $864K on show nights.
Show nights generate 2.8x the revenue of a standard bar night. Show nights don’t just add ticket money — people drink more, buy more, stay longer.
Financial Projections
| Year 1 (Partial) | Year 2 | Year 3 | Year 4 | Year 5 | |
|---|---|---|---|---|---|
| Base Case | |||||
| Revenue | $2.4M | $7.4M | $8.5M | $9.5M | $10.3M |
| EBITDA | ($200K) | $1.95M | $2.55M | $3.04M | $3.40M |
| EBITDA Margin | — | 26.3% | 30% | 32% | 33% |
| Upside Case (+20%) | |||||
| Revenue | $2.9M | $8.9M | $10.2M | $11.4M | $12.4M |
| EBITDA | $100K | $2.6M | $3.5M | $4.1M | $4.6M |
| Downside Case (−25%) | |||||
| Revenue | $1.8M | $5.6M | $6.4M | $7.1M | $7.7M |
| EBITDA | ($500K) | $700K | $1.1M | $1.5M | $1.8M |
| COGS (22–28% blended) | 25% | $1,856,000 |
| Labor (actors + bar + ops) | 30% | $2,227,000 |
| Rent (7,000 SF @ $80/SF) | — | $560,000 |
| Insurance | — | $40,000 |
| Marketing (4%) | 4% | $297,000 |
| Tech Maintenance | — | $120,000 |
| Utilities / Supplies | 3% | $223,000 |
| Licensing / Legal / Admin | 2% | $148,000 |
| Total Expenses | $5,471,000 | |
| EBITDA | 26.3% | $1,951,000 |
Downside Protection: Even in the downside case, the daily outlaw bar generates $2.2M+ in F&B alone — enough to cover rent, labor, and debt service. The bar is the floor. The show is the ceiling.
Marketing at 4%: Virality is the marketing. Yondr pouch unlocks create 80 simultaneous social posts per show. Bachelorette parties are the highest-ROI content creators in tourism.
Comparable Exits
Entertainment venues with IP, recurring audiences, and strong unit economics command premium multiples. Lost Highway combines hospitality cash flow with entertainment IP upside.
| Comparable | Valuation | EV/Revenue | EV/EBITDA | Relevance |
|---|---|---|---|---|
| Ryman Hospitality (RYMAN) | $6.47B Market Cap | 2.73x | 14.2x | Nashville entertainment + venues |
| Meow Wolf | $500M+ Valuation | 5–6x | — | Immersive art, multi-city expansion |
| Live Nation (LYV) | $31B Market Cap | 1.5x | 14.9x | Live entertainment at scale |
| Sleep No More (Shanghai) | $86M cumulative rev | — | — | Single-venue immersive theater |
| Lost Highway (Year 5) | $27–$34M implied | 2.6–3.3x | 8–10x | Immersive + hospitality + IP |
At Year 5 EBITDA of $3.4M and an 8–10x entertainment venue multiple, implied enterprise value is $27M–$34M. Multi-city expansion doubles it.
Capital Stack
| Preferred Equity — CURRENT ROUND | $2,500,000 | 56% |
| SBA 7(a) Loan | $1,600,000 | 35% |
| Historic Tax Credits (20% Federal) | $400,000 | 9% |
| Total | $4,500,000 | 100% |
Founder Contribution: Brian Kaplan contributes the complete creative IP — show bible, original production, brand, and venue concept. All intellectual property developed pre-raise. Investors fund 100% of the build.
IP Ownership: All creative IP (The Last Ballad, Lost Highway brand, seasonal productions, show bible, characters) retained by Brian Kaplan. Investors participate in venue economics via preferred equity with strong returns.
The Platform
This isn’t one show. It’s a platform. Every season, a new Nashville legend takes over the same venue. Same walls, new ghosts. And the format travels to any city with music in its bones.
Season 1 — 2027
The ghost of outlaw country. A deal with the Music. An unfinished song. Two legends. One jukebox. Two possible endings.
Season 2 — 2028
March 5, 1963. The plane never landed. But in the Lost Highway, Patsy Cline still sings every night. New rooms. New mystery. Same haunted walls.
Season 3 — 2029
Johnny Cash walks the line between heaven and hell. The fire ring burns. Folsom Prison comes to Printer’s Alley.
Timeline
Phase 1 — Weeks 1–6
Full show bible. Script locked. Sound design. Scenic blueprints. Character arcs. All 4 room designs approved.
Phase 2 — Weeks 4–8
LLC formation. Trademark filings. Music licensing. Investor documents. Operating agreement.
Phase 3 — Weeks 6–12
Visual identity system. Website launch. Social presence. PR strategy. Concept art photography.
Phase 4 — Weeks 8–16
Investor pitch circuit. SBA 7(a) application. Term sheets. Close preferred equity round. Funds in escrow.
Phase 5 — Weeks 16–28
Lease signed. Demolition and build. Immersive tech install. Acoustic engineering. Rain system. Cadillac placement. Haptic bus build.
Phase 6 — Weeks 28–32
Open the Lost Highway outlaw bar. Live outlaw country programming begins. Build word of mouth. Test F&B. Train staff on dual-mode transitions.
Phase 7 — Weeks 32–36
Invite-only shows. Press previews. Influencer nights. Cast rehearsals with live audiences. Iterate on pacing and scares.
Phase 8 — Week 40
The Last Ballad: Season 1 premieres. Full show schedule. Thu–Sun evenings. Nashville knows. The jukebox plays.
The Team
Nashville doesn’t let outsiders build here. Good thing we’re not outsiders.
CREATOR
Wrote the show bible. Built the brand. Developed the full creative IP before raising a dollar. Entertainment, tech, and storytelling background.
ADVISORY
Multi-platinum country artist. Actor. The kind of Nashville credibility you can’t buy — you have to earn it.
ADVISORY
Founder, RPM Entertainment. 30+ years managing Nashville’s biggest careers. Knows every handshake, every deal, every door worth walking through.
Key Hires Post-Funding: General Manager (bar operations) • Technical Director (immersive tech) • Lead Actor/Director (show) • Marketing Director • Head of F&B
The Ask
TOTAL RAISE — $2.5M PREFERRED EQUITY (CURRENT ROUND)
10% preferred return. Revenue participation after payback. Board observer seat available.
10-year term. SBA-guaranteed. Competitive rate. Secured by venue assets and equipment.
20% federal credit on $2M qualified rehab. Printer’s Alley Historic District (National Register 1982).
The music never dies. And neither do the legends.
Brian Kaplan / A Brian Kaplan Concept / Printer’s Alley, Nashville
CONFIDENTIAL — FOR QUALIFIED INVESTORS ONLY